I approach painting as a space of appearance, where forms are not figures to be read, but agents that perform, act, and sometimes disturb. They establish shifting relationships—among themselves, but also with the viewer. I pay close attention to materials, densities, and gestures: elements that are not mere tools of expression, but active participants in the construction of the painting.

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My work is rooted in an inquiry where painting is conceived as a field of experience, a site of active presence. A presence that is inhabited, ambivalent, where the human is no longer the sole producer of meaning. In this process, I do not seek to impose a formal will, but to make myself available—to be moved by what emerges, to become a vector among things. For me, it is about allowing a pictorial thinking to unfold, where forms, materials, and rhythms gain their own agency. A place where indeterminacy and suspension open the possibility of encounter.