My drawing and painting practice emerges from a performative process. My works are shaped by the constraints of my supports, often irregular in form, and by the elements present within my working environment. In relation to matter, each gesture is made attentively, with consideration for its place within the pictorial space and its influence on the other visual elements. This active attention opens a dialogue between the forces at play: those of the materials and those of my body in motion. The workspace — whether my studio or the exhibition space — conceived as a microcosm, becomes a concrete and living site of experimentation. By engaging with the specific qualities of matter and the forms encountered, I bring forth unexpected relationships that unfold through an abstract visual language.