ENTANGLED: TWO VIEWS ON CONTEMPORARY CANADIAN PAINTING
SEPTEMBER 30, 2017 - JANUARY 1, 2018
The story of contemporary painting in Canada is constantly under revision, and for good reason—dynamic and influential art practices, wildly differing opinions, strongly held beliefs, and high expectations, make for a charged atmosphere in art schools, studios, and public and private galleries. Within the community of painters, strong ideas give shape to new modes of painting, new techniques and new dogma that are in turn shared, debated, tested and critiqued in studios across the country.
Entangled: Two Views on Contemporary Canadian Painting offers an insight into two distinctly different modes of painting that have come to dominate contemporary painting in this country. The origins of both can be effectively traced back to the 1970s, to a moment when the continued existence of painting was hotly debated. Within that debate two new strategies were mottoed, one that proposed the possibility of conceptual painting—a highly refined notion of painting that emerged from and returned to the idea—and a second, ambivalent proposition that valued actions and materials over ideas—in short, doing and making were pitted against ideas and concepts.
This exhibition traces the legacy of that debate and documents the work of 31 artists who have been largely responsible for the strong revival that painting now enjoys in this country. With work by artists from Halifax to Victoria and many places in-between, this exhibition offers a convincing survey of the lively debate that makes painting relevant and meaningful today.
LIST OF ARTISTS
Stephanie Aitken | Marvin Luvualu António | Rebecca Brewer | Sarah Cale | Neil Campbell | Tammi Campbell | Arabella Campbell | Allyson Clay | Paterson Ewen | Gerald Ferguson | Eric Fischl | Jessica Groome | Neil Harrison | Colleen Heslin | John Heward | Jeremy Hoff | Garry Neill Kennedy | John Kissick | Elizabeth McIntosh | Sandra Meigs | Guido Molinari | Guy Pellerin | Jeanie Riddle | Francine Savard | Michael Snow | Jeffrey Spalding | Ron Terada | Nathalie Thibault | Claude Tousignant | Julie Trudel | Joyce Wieland
Organized by the Vancouver Art Gallery and co-curated by Bruce Grenville, Senior Curator and David MacWilliam, Emily Carr University of Art + Design professor
Source: https://www.vanartgallery.bc.ca/exhibitions/entangled
Parades et ripostes
The exhibition Parades and ripostes brings together a series of paintings created in 2017 and 2018, through which I explore the dynamic relationships between form, color, material and support.
My practice aims for a sensitive interplay between intuition, chance, and awareness of the gesture. The works emerge from a process of successive adjustments, where each intervention reacts to the previous one. The painting is constructed in action, through impulses that are sometimes unexpected, often unforeseen.
The use of color, inseparable from gesture, is part of a dynamic process in which the body is engaged and uncertainty is embraced as a partner. Certain more mechanical interventions disrupt the lyricism of the hand. The use of a roller, for example, allows me to apply several colors simultaneously and to produce unexpected associations between forms, textures, and tones.
Each painting is based on a few pre-established parameters: allowing the raw canvas to show through in places, varying the application speeds, diversifying the tools, and shifting the starting point of the gesture. These constraints open up a field of artistic exploration, where each mark, sooner or later, finds its rightful place within the whole.
